eatpoetry

20 years old. district of columbia. live poetry.

constantine.kulakov@gmail.com

Jun 21

Abstracts

At the store, I cried by the lobsters, a loose child, 
moved by a cruel tank of glass walls and salt.
Too often, too often, I met the same wall:
the cut-apart district with houses, untouched,

the words that fly-out and splat, unheard,
the dinner guest leaving early, unloved.
I knew we were not made for this;
I knew our bodies could not enclose us.

With a head stuffed-full of dirt and desire,
I found dreams sprout best in the dark:
long Friday nights on a lonely, green street,
and a dim living room surging with song—

I grew older, my head grew thick with dreams.
I said, “Where must I offer my branch, my self?”
And like some bird, dumb to horror but shining,
I seize the real, real thing, that swings

in melodies of bass and clashing race
on scorched, city dance floors where 
again, I touched the wall: all genetic, final.
Here, skin tones don’t crumble like concrete. 

“In this life, no strawberry-sweet strangers?
Hell, thoughts like this are only for hell!”
My feet ached from not saving the world.
But still, my branch did cross somewhere

far into distant custom and spice rewind 
two years, to a girl, living two streets down.
My branch there, now our love here
with her bloodline of ancient law, that writes:

“Return to the root of the root of yourself.”
But they say my love’s fighting for the other side.
And I find my root reaching, peeking 
somewhere close to mother and memory. 

How much to guard, how much to lose?
It is sung, “All is fair in love and war.”
I got my gloves and sanitizer handy;
still, I find the other side full, the other air bright.

Now, dear lobsters, I too, preach the habit: 
take what’s shared, breathe what’s given, don’t ask.
As the days lapse, we too, take from others.
I leave only this: an open mind, and thought.


Jun 9

Food in Heaven

I remember he said “I’m thinking: what is the taste of food in heaven?” The cancer cells were quick to try and take the “grandpa” from him. Soon, all that kept him with us would look like nothing more than an unmoving mannequin. And now, here we are, tasting earthly tastes, our jaws severing burritos, our thinking-skulls, above ground, below heaven, asking if there even is such a place… And you say, “I don’t know, sometimes I fear heaven will grow boring.” Wherewith, I come to you with sharp ideas: “Heaven = Infinity, Right? Infinity + Pleasure = Heaven. Thus, heaven is endless pleasure?” We went on eating, waiting till when we put him in the ground.



Mar 6

Digital Lover

My world will end. These words end here.
I could hold the world, but I want you here.

We miss our flesh, our flesh is pixels.
The digital clock ticks very slow…

You are not far. Things are not far, but still
the old cast laws in depths of static.

No tablets; I write to infinity,
a head full of micro-chips and bibles.

Now, I learn how to love in an online clip,
I recite epics in quick showers,

I lift a litany of longing
to a God called many different names.

In my Carpe Diem, now Carpe Noctum,
I leave you only these thoughts:

Digital lover, love with endless digits!
Type! let the phones moan! let the words glow!

Remember: do not let your last words
be a sign that reads “DO NOT DISTURB.”

© 2010 Constantine Kulakov


Mar 2

Sonnet

by Lynn Xu

Terror.  The chocolate machine glistens
In the night.  The universe hangs on this
Malheur.  Mal de Mer.  The sea-worm listens
To its Latin noise, mingling parti pris
With the bastion of deal, its missing knob,
Terra infidel, how the lunar month
Makes appetite with its special eye.  Slob
Jelly on eyelids slagged with salt.  The month
Cannot end like this.  And wanting nothing
Of this in mind the mind-englutted touch
Torches its prime.  Spoils of influence.  Thing
Is.  The world must end.  Must fascinate such
And such torment to mortgage its dark chase.
Déjenos.  Let us go.  Buenas noches.


The Onion, Memory

by Craig Raine

Divorced, but friends again at last,
we walk old ground together
in bright blue uncomplicated weather.
We laugh and pause
to hack to bits these tiny dinosaurs,
prehistoric, crenelated, cast
between the tractor ruts in mud.

On the green, a junior Douglas Fairbanks,
swinging on the chestnut’s unlit chandelier,
defies the corporation spears—
a single rank around the bole,
rusty with blood.
Green, tacky phalluses curve up, romance
A gust—the old flag blazes on its pole.

In the village bakery
the pastry babies pass
from milky slump to crusty cadaver,
from crib to coffin—without palaver.
All’s over in a flash,
too silently…

Tonight the arum lilies fold
back napkins monogrammed in gold,
crisp and laundered fresh.
Those crustaceous gladioli, on the sly,
reveal the crimson flower-flesh
inside their emerald armor plate.
The uncooked herrings blink a tearful eye.
The candles palpitate.
The Oistrakhs bow and scrape
in evening dress, on Emi-tape.

Outside the trees are bending over backwards
to please the wind : the shining sword
grass flattens on its belly.
The white-thorn’s frillies offer no resistance.
In the fridge, a heart-shaped jelly
strives to keep a sense of balance.

I slice up the onions. You sew up a dress.
This is the quiet echo—flesh—
white muscle on white muscle,
intimately folded skin,
finished with a satin rustle.
One button only to undo, sewn up with shabby thread.
It is the onion, memory,
that makes me cry.

Because there’s everything and nothing to be said,
the clock with hands held up before its face,
stammers softly on, trying to complete a phrase—
while we, together and apart,
repeat unfinished festures got by heart.

And afterwards, I blunder with the washing on the line—
headless torsos, faceless lovers, friends of mine.


Feb 26

Preachers Warn

by Charles Simic

This peaceful world of ours is ready for destruction—
And still the sun shines, the sparrows come
Each morning to the bakery for crumbs.
Next door, two men deliver a bed for a pair of newlyweds
And stop to admire a bicycle chained to a parking meter.
Its owner is making lunch for his ailing grandmother.
He heats the soup and serves it to her in a bowl.

The windows are open, there’s a warm breeze.
The young trees on our street are delirious to have leaves.
Italian opera is on the radio, the volume too high.
Brevi e tristi giorni visse, a baritone sings.
Everyone up and down our block can hear him.
Something about the days that remain for us to enjoy
Being few and sad. Not today, Maestro Verdi!

At the hairdresser’s a girl leaps out of a chair,
Her blond hair bouncing off her bare shoulders
As she runs out the door in her high heels.
“I must be off,” says the handsome boy to his grandmother.
His bicycle is where he left it.
He rides it casually through the heavy traffic
His white shirttails fluttering behind him
Long after everyone else has come to a sudden stop.


Feb 24

Prayer #1

O Lord, God Almighty, The Compassionate, The Merciful,
I lay my failed body on your cool, eternal stone.

Tune my eyes to Your Full Picture, let-off all Your light.
Erect Your Timeless Structure in the hallways of my thought.

Show Satan in his corner; no more invention or disguise;
Show Angels above skylines; let me see how they light-up.

Like the Roman, two-faced Janus, send me complete vision;
Bring me to the place where I see past and future, equal.

Now, let my mad, mind-motors cease their caustic moan.
I will bloom in humble patience; I will trust Your Holy Time.

© 2010 Constantine Kulakov


Feb 23

Cassandra, Iraq

by C K Williams

1.

She’s magnificent, as we imagine women must be
who foresee and foretell and are right and disdained.

This is the difference between we who are like her
in having been right and disdained, and we as we are.

Because we, in our foreseeings, our having been right,
are repulsive to ourselves, fat and immobile, like toads.

Not toads in the garden, who after all are what they are,
but toads in the tale of death in the desert of sludge.

2.

In this tale of lies, of treachery, of superfluous dead,
were there ever so many who were right and disdained?

With no notion of what to do next? If we were true seers,
as prescient as she, as frenzied, we’d know what to do next.

We’d twitter, as she did, like birds; we’d warble, we’d trill.
But what would it be really, to twitter, to warble, to trill?

Is it ee-ee-ee, like having a child? Is it uh-uh-uh, like a wound?
Or is it inside, like a blow, silent to everyone but yourself?

3.

Yes, inside, I remember, oh-oh-oh: it’s where grief
is just about to be spoken, but all at once can’t be: oh.

When you no longer can “think” of what things like lies,
like superfluous dead, so many, might mean: oh.

Cassandra will be abducted at the end of her tale, and die.
Even she can’t predict how. Stabbed? Shot? Blown to bits?

Her abductor dies, too, though, in a gush of gore, in a net.
That we know; she foresaw that – in a gush of gore, in a net.


Feb 21

The Guest House

by Rumi

This being human is a guest house.
Every morning a new arrival.

A joy, a depression, a meanness,
some momentary awareness comes
as an unexpected visitor.

Welcome and entertain them all!
Even if they’re a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still, treat each guest honorably.
He may be clearing you out
for some new delight.

The dark thought, the shame, the malice,
meet them at the door laughing,
and invite them in.

Be grateful for whoever comes,
because each has been sent
as a guide from beyond.


Feb 10

Dollhouse

(an original)

I come to a home full of honey and spice;
qur’ans and bibles lay side by side.
This is where opposition is beauty;
this is where madness turns calm.

Our tiny house is surrounded by green.
Below, waits the stale, dank Normal.
Up in heaven no boredom is irking;
the earth—that was hell—still reminds.

Yes, the sweet isn’t sweet without sour;
but here, out the window flows sour:
A mob of love-haters is raging
and it’s only exposing our Shine.

They paint the nightmares and if’s;
they will ring and twist our craze.
But then, all I do, is pull you to me
and live without acrid projections.

© 2010 Constantine Kulakov


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